The Equalizer – Review
Consider
this, Director Antoine Fuqua is sitting at home or in a movie theater or maybe on
a plane. He’s looking for inspiration anywhere for his next project, maybe –
hopefully something that he can write and develop with the two time Academy
Award winning actor Denzel Washington in mind, who by the way won one of his Oscars
under his directing stewardship in the 2001 effort entitled “Training Day”.
After running through probably
several ideas Mr. Fuqua starts to contemplate on movies he may have seen before,
some of which Denzel was in. Maybe he thinks to himself if he would take just a
bit of the “Man on Fire” John Creasy’s vigilante mind set, dead pan coldness
and emotional wounding, along with the same subtle invoking of violent moral correctness.
Then if he added just a bit of the “Book of Eli” lead character Eli who was a
somber mysterious wanderer who had an obsession with a mysterious book but who
was also blessed with a lethal “particular set of skills”. You take these
traits, mix in some Jason Bourne high I.Q. intelligence to pre-navigate,
operate and extract himself out almost seemingly impossible situations. Sprinkle
some of Liam Neeson’s “Taken” soften spoken cool assuredness and finally add just
a tinge of some “Jason Voorhees” gruesome violence for shock value effect and “Voila”
or “Eureka” (which ever you prefer); you have “The Equalizer - 2014”.
Now let’s be clear, this
movie is far from the 1980’s “The Equalizer” TV version starring British Actor
Edward Woodward who was more of an avuncular erudite middle aged type as the retired
intelligence officer with a mysterious past who helped people in trouble. Woodward’s
McCall was far more passively stoic and would engage in the occasional fist
fight and or draw his gun with the intent of only doing so for self-preservation.
In Actor Denzel and Director Fuqua reimagining of this character, they have raised
the ante big time with a more modern Robert McCall who is best described here in
this adaptation as a predatory wolf with a complete singular focus for total complete
ruthlessness.
In the beginning we see
McCall living alone in an understated, modest, very neat and clean apartment getting
ready for work as an Associate at a Home Depot-ish store. He is highly meticulous
at work, warm to his co-workers and has a good heart but is also somewhat shy along
with a preoccupation for orderliness and the current time on his watch.
Typically, after work he goes
to a small Boston corner café to drink tea and read a book (Book of Eli) that
is more often some well-known classic novel. He finds the location peaceful and
possibly a good location to reflect on life, maybe his past life as well. And
it is at the same café he frequently runs into a young girl who is a working
prostitute that is named Teri who also apparently is a regular there who uses
the café address to meet her “Johns” who routinely drive up outside the door. While
waiting on her Russian Mobster pimp nightly calls, Teri and McCall typically have
a friendly but pedestrian verbal exchange discussing the latest status of a
certain chapter or details of whatever book Mc Call is reading at the time.
One night at the café Teri
goes outside to meet her Russian pimp who has just driven up. As Teri walks to
the car he immediately proceeds to exhibit his displeasure with her for
something she did by brutally beating her. McCall observes the beating without
as much of a flinch of overt or outward emotional response. Still nonetheless it
clearly bothers him and unexpectedly he (we) realize at that moment he has
become more attached to the young girl than simple befriending (Man on Fire) and
while he is very reluctant to return to his previous mysterious life, something
in that very moment has risen up with him to reignited those “set of particular
skills” to go into kid protection – people protection mode (Man on Fire) by getting
personally involved. He is now going to seek that pimp out to set things right.
The Equalizer has its moments
of ridiculous cliché with some convoluted situations to give us an early sense
of McCall’s prowess as this highly technical formidable fighting and killing
expert. But what is it in the long run is a non-stop thrilling platform of primal
violence that is far from subtle with just a smidgen of humor to keep you very,
very entertained throughout the 2 hour running time.
Fuqua makes the boundaries
in this movie very clear and distinct – stylish and slick. In McCall’s mind there
are people in the world who are good, decent and hardworking and then there are
others who simply operate in that same universe exuding evil, greed, brutality
and death. For McCall it’s up to the good guys to prevail by fighting this evil
fire with a, metaphorical speaking, thermal nuclear mano a mano response. He
intends to kill everything.
The Equalizer worked for me
because while the bad guys seem somewhat preposterously bad and formulaic, they
are nonetheless excellent in their badness. They are savage in their thinking
and their actions and Fuqua delivers them in scene after scene with genuine
tenseness and clarity with rousing execution. He also manages to deliver McCall’s
persona as some dark angel of salvation with a Jason Voorhees flair for killing
minus the Hockey mask and grungy pants with what felt like an endless body
count supply of Russian anti-Christ type mobsters and devilish type corrupt
cops to dispatch.
There is no back story here as
to why McCall is so socially detached the way he is nor is there any real
meaningful subplots for us to contemplate. This is a film where the bad guys
are so ruthlessly bad we can’t wait for Denzel’s McCall to give them what they
deserve with extreme high octane prejudice.
When I review a movie, I try
to be fair to those involved with its creation to simply ask did they deliver
what they said they would. In this case I said yes. And while the film is
extremely violent and blood thirsty oozing with copious amounts of blood,
along with a flawed last dramatic moment that I thought was stupid and not
needed at all, I still found The Equalizer to be highly creative and cool.
Finally, Denzel said in an
interview he will never see a Home Depot the same way. If you see The
Equalizer, you will never see a Home Depot the same way either, nor any of its aisles.
3 – 3/4 Stars
Thanks Lester - I hadn't planned to see this one until I read your review.
ReplyDelete- Goon
Sounds interesting. Now I'll have to go see it.
ReplyDelete