Sunday, September 29, 2019

Judy - Review

 Judy

Academy Award winner Renée Zellweger (Cold Mountain) takes on the role of a 20th century iconic in singer Judy Garland thirty years after her starring making role as “Dorothy” in "The Wizard of Oz,".

Both a beloved actress and singer the film’s story picks up in the winter of 1968 as Judy Garland arrives in London to perform five weeks of sold-out shows at the Talk of the Town nightclub. And while her voice has weakened, its dramatic intensity has only grown. The film shows as she prepares for the show her battles with management, her interaction and charms with musicians and her reminiscing with friends and adoring fans though the backdrop of her intelligent wit and personal warmth. London also was a time of a whirlwind romance with Mickey Deans, her soon-to-be fifth husband.

Featuring some of her best-known songs, the film “Judy” celebrates the voice, her capacity for love, and the sheer pizzazz of one of the world's greatest vocal entertainers ever.

REVIEW: “Judy” is based on Peter Quilter's play “End of the Rainbow,” which had a well-received Broadway run in 2012 and it feels like a theatrical play too. After watching the film I can only imagine how  the play was probably way more effective to portraying such a complicated person and equally complicated life as the film and the person Judy Garland is a rare blended examination of a person’s triumphs, her despairs, her loves and her agonizing sadness. So with so much to tell and to be able to tell it exactly right, it was a bit of a surprise for me and to see Renée Zellweger chosen for the role. And while she was nominated for an Oscar in the Best Picture Winner Chicago for her singing and acting there, in a rare TV interview she acknowledges her own surprise for being approached as a clear nonprofessional singer for this role.

Make no mistake about for me Zellweger is a highly accomplished actress, but it seemed to be more than just a passing challenge for anyone to seriously consider take on such a daunting and powerful singing voice that was filled with rare vibrancy, soaring range, depth and emotional color - color like a rainbow. So with that in mind Renee captures exceptionally well at being an effective interpreter of Garland songs. If you see the film and then Youtube Garland there is an uncanny resemblance to her............when she is speaking. Its the times she is singing her famous songs that you hear her struggle a bit, especially when it was the musical timing, the musical lyrics, the vocalizing of notes in trying to capture that rare unique sound which made Garland a unique and talented presence encapsulated in such a tiny  5’1” barely  100 pounds frame.

There is a lot of buzz talk about Zellweger getting a Best Actress nomination for her role here. On numerous occasions it was eerie to see what look like Garland reincarnated on the screen as Zellweger looked, sounded like Garland; even capturing her unusual personal ticks and stage performance gesticulations she was known for, but I would hardly say its top five Oscar worthy. Zellweger has all of the technical perfection of her character down pat, but it sometime falls a bit off in capturing the emotional truth of who Garland actually was. The real Judy Garland was a hot mess but even at her worse moment she was a mesmerizing authentically talented hot mess and that is hard to replicate no matter the level of the trained talent. When Judy sang she did not just sing the lyrics to a melody, she was  totally committed to the life of every single note in a song. She lived her songs. She was a phenomenal talent.

On a side note,  I researched to see how many non-singers have won Oscars for actually singing and or portraying singers. Sissy Spacek “Coal Miner’s Daughter” and Jeff Bridges “Crazy Heart”.  Jaime Foxx and Rami Malek played famous singers. And some pop singers have won Oscars for singing and or not ranging Barbra Streisand, Cher and Jennifer Hudson. In other words, it would not surprise me the film and Zellweger both getting nominated with Renee winning as Best Actress. It appears Hollywood loves singing stories no matter who is doing it..

Judy” is a full two hours fascinating story, especially the parts of her early years where you see Louis B Mayer the co-founder of Metro-Goldwyn-Mayer studios who discovered Judy. His emotional abuse of Garland by today standards would be criminal and it was his actions that sowed the seeds of Judy's heavy use of barbiturates, sleeping pills, alcohol and other prescribed drugs that resulted in her death at the young age of 47.

I was a bit emotionally worn out after watching this film as you can see Garland was a decent woman and a loving mother who had the misfortune of an endless array of men in her life always taking advantage of her acting literately as leaches. Just wearing her down to an exhausted death. But in the end and on balance, I found “Judy” lovingly enough, nuanced enough, emotional enough and dark enough of a showcase for one of Hollywood’s most beloved stars whose life had too few joys and way too many lows.

3.25 Stars

Friday, September 20, 2019

Ad Astra - Review


Ad Astra

Ad Astra is a 2019 American science fiction adventure film produced, co-written and directed by James Gray. Starring Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler and Donald Sutherland.

In the not so distant future, the Solar System is being struck by mysterious power surges of unknown origin, threatening the future of human life. After surviving an incident on an immense space antenna caused by one of these surges, Major Roy McBride (Pitt), son of famed pioneering astronaut H. Clifford McBride (Jones) is informed by U.S. Space Command (Space Com), the United States Armed Forces branch operating in Space, that the source of the surges has been traced to the "Lima Project" base. The Lima Project had been sent some twenty-six years prior to search for intelligent life from the farthest regions of the Solar System under Clifford McBride's leadership, and disappeared sixteen years prior in orbit around Neptune. A Space Com officer informs Roy that they believe Clifford may still be alive, and he is tasked with the mission of travelling to Mars to try and establish communication with him.

Review: In 1979 the acclaimed Frances Ford Coppola directed the Best Picture nominee “Apocalypse Now” starring Martin Sheen and Marlon Brando. It entailed the 1970 fictional Vietnam War  story of  Army Captain Willard (Martin Sheen) who was assigned to take a perilous, sometimes hallucinatory journey upriver in Southeast Asia during the height of the war to seek out, find and terminate an Army legend named Colonel Kurtz (Marlon Brando), a once-promising officer who has reportedly gone insanely mad. In the company of a Navy patrol boat filled with street-smart kids, a surfing-obsessed Air Cavalry officer (Robert Duvall), and a crazed freelance photographer (Dennis Hopper), Willard travels further and further into the heart of darkness to find Kurtz before he becomes a major political and public relations problem back home in the United States.

I reference “Apocalypse Now” because by my account this former story line, down to even their some sub plots and similar scenes........, “Ad Astra” is virtually an identical film. The only obvious difference is one takes place through the foreboding deep dark dangerous jungles of Southeast Asia and the other through the foreboding deep dark dangers of space and space travel. So now, you ask why one see this space version of the prior story. Well, for a couple of reasons.

First, as a reimagining of the same story the whole 2:04 minute running time is simply beautifully exquisite to see. The space travel scenes which is about 65% of the film replicates the best from the landmark film “2001:  A Space Odyssey” which was able to make space stillness – quietness - darkness – coldness a place of equal wonderment, anxiety and horror. Its also replicates from the more recent film “Gravity” the more realistic technical precision aspects of what is required for space travel with its backdrop of beautiful isolation that can also be extremely dangerous at any given moment. In both prior films and “Ad Astra” all three films manage to give the theater patron ticket buyer something more than entertainment.  The patron becomes a spectator inside the story itself and the events of space travel itself with its many endless, mesmerizing and tantalizing visions of what it must be like to “be up there” with also the unending self-questioning of “what would I do?”. So, for its solid reimagining of the former Vietnam story as a space story now “Ad Astra” held my compelling interest throughout. On the other hand, there are few instances I was left scratching head.

First, unless I missed it during my two-minute dash to the bathroom I have no freaking clue WTF “Ad Astra’ meant……………none. Also there is a scene early on where Pitts character who is in route to Mars as the staging area for the deep space travel to Neptune, but first he must have a short stop over at our moon which is so militarized and so commercialized it actual has a “Mall of America” there with its own Applebee’s, which was OK. But what perplexed me was after his moon arrival he has to leave that mall complex to go to another rocket to get to mars. In any event as Pitt’s “McBride” is being escorted to the Moon rocket launch area they run into bandits that were eerily similar to “Immortan Joe” from “Mad Max: Fury Road”, only in space suits and with “laser” guns. They seemingly appeared to come out of nowhere on souped up Moon rovers that had the speed equivalent of any car seen in the “Fast and the Furious” franchise. This scene felt like some obscure add on subplot that neither took me any place nor added anything to the story itself other than the implied point that gangs now also run portions of the moon as well. I guess the Medellín Cartel drug trade in the future has franchised itself to the moon. But I digress.

And secondly, they never explained at all how the senior McBride (Jones) who everyone presumed was dead managed to live in a floating space station for 16 years in a Neptune Orbit without any resupply ships coming to him with any food, medicine etc. But again, I digress.

Brad Pitt in my opinion is a great actor. His portrayal of the son as a stoic, uber calculating and emotionless persona made perfect sense at times and at other times those same qualities did not work as well as the film and his interpretation of the character at that moment seem to veer the film into being temporarily perplexing and confusing. I digress one last time.

Still, in the end, “Ad Astra” while very stoic, very patient and very, very reserved and minus some opaque science techno speak, when all that is peeled away the film itself is a highly cerebral look and examination of the unique relationship between fathers and their sons. Sometimes it can be (as here) very emotional, personal and moving and other times hypnotic and haunting all the while through a dramatic landscape of luxurious, spectacular and sublime deep space vistas.

3.50 Stars

Tuesday, September 17, 2019

Some of Lester’s Favorite Movie Scenes


Some of Lester’s Favorite Movie Scenes

Astronaut Caine chest-burst from impregnated xenomorph inside him from “Alien”.

Sheriff Marty Brody tells Capt. Quint “you’re gonna need a bigger boat” from Jaws.

Vito Corleone in the opening of “The Godfather “, with the undertaker Bonasera;

Hannibal Lechter greets FBI Agent Clarice Starling with “good morning” in their first meeting in “The Silence of the Lambs”.

Hannibal Lechter greets “with good evening Clarice” with Hannibal reading a book in caged barbed wire cell “Silence of the Lambs”.

Forrest tells Jenny about his adventures running across America – Jenny dies from “Forrest Gump”.

The Viet Cong “Mao – Mao” face slap and Russian roulette scene in “The Deer Hunter”.

The pawn shop basement scene with Butch and mobster Marsellus Wallace in Pulp Fiction”.

Vincenzo Coccotti and Clifford Worley in the “Yes, I am Sicilian” scene in “True Romance”.

Jules and Vincent confront men about getting Mr. Wallace briefcase with the mysterious light and Jules quotes biblical scripture from “Pulp Fiction”.

The full D-Day invasion beach landing scene in “Saving Private Ryan”.

Detective Norman Stanfield comes back for his drugs in “The Professional”.
Jackie and Frankie at the bar in “Killing Them Softly”.

Intense final murder for hire shoot out in “Blood Simple”.

King Edward the VI makes his war time speech to his British subjects with the help of his speech therapist and friend Lionel Logue in “The King Speech”.

Virgil Hilts aka “The Cooler King” escapes from WW 2 POW camp on a motorcycle with German soldiers in hot pursuit in “The Great Escape”.

Artificial intelligence computer named HAL 9000 takes revenge on Astronauts scene in “2001: A Space Odyssey”.

After a botched train robbery, Butch Cassidy and the Sundance Kid are forced to go on the run including jumping over a cliff in “Butch Cassidy and The Sundance Kid”.

Lovers Rose De Witt and Jack Dawson escape and run to the back of sinking ship holding on to the very last second in “Titanic”.

Notorious World War II General George S. Patton opens with gripping speech with giant American flag which sets the tone for the entire film in “Patton”.

Little girl named Regan during the height of her exorcism turns her head 360 degree flashing an evil rotting grin in “The Exorcist.;

Indiana Jones chases truck on horseback that has the stolen Ark of the Covenant in “Raiders of the Lost Ark”.

Michael Corleone gets his families revenge during the baptism and kills Carlo in “The Godfather”.

German WW 2 Colonel Hans Landa visits the French farmer who has hid people under his floor in “Inglorious Basterds”.

Fran Galvin, a down and out alcoholic lawyer gives judge hell about wanting a fair trial and his closing argument in “The Verdict”.

Cab driver Travis Bickle talks to himself in the mirror with a gun “are you talking to me” in Taxi Driver.

“Detective Popeye Doyle” in epic car chase in Brooklyn, NY in “The French Connection”.

Andy Dufresne leaves "Red" Redding a note and money under a rock near a tree. Red violates his parole to meet his friend Andy living in Mexico in “The Shawshank Redemption”.

Dock Holiday meets Johnny Ringo with his drinking cup and under the tree shootout in ‘Tombstone”.
Lovers in flying scene in “Out of Africa”.

The final home run in “The Natural”.

The bank robbery in downtown Los Angeles in “Heat”.

Union soldier “Trip” takes his punishment without flinching in “Glory”.

Western shootout between hired killers and free grassers in “Open Range”.

William Munny kills Little Bill in bar during rainstorm final scene in “Unforgiven”.

Detective Alonzo Harris watches his trainee ride along fight in ally in “Training Day”.

Director Sergio Leone opening intense shootout scene with 10 minutes of no dialogue in “Once Upon a time in the West”.

Bounty Hunter enters bar looking for Confederate fugitive in “The Outlaw Josey Wales”.

Jack and Rose first kiss as they “fly into the sunset” on the bow of the ill-fated Titanic.

The final chase as Mad Max races back to the Citadel in “Mad Max- Fury Road”.

Spock’s saves the USS Enterprise at the cost of his life in Star Trek-The Wrath of Khan”.

      Mark finally expresses his hidden, unrequited love for Juliet in “Love Actually”.

     The Klump family eats dinner in “The Nutty Professor”.
  
     Karl Childers student interview and Karl kills Doyle in “Sling Blade”.

     Antwone Fisher meets his mother in “Antwone Fisher”.

     The Joker meets the mob in “Batman - The Dark Knight”.

During WW 2 Jewish citizen Wladyslaw Szpilman plays piano years later 
hiding out in war torn Poland in "The Pianist".

Hitler rants as his defeat is eminent at the end of WW 2 in "Downfall".

Michael Corleone shoots a cop in Italian Restaurant in "The Godfather".
https://www.youtube.com/watch?v=kSQqv2UuvC0

Intense bar scene with stand off - shoot out in 'Inglorious Basterds".
https://www.youtube.com/watch?v=a6IVkQ8-Lx8

Jackie meets Frankie tells him who he is in "Killing Them Softy"
https://www.youtube.com/watch?v=rNlPdPFlOSo

Any scenes involving Michelle Pfeiffer and Jeff Bridges in 'The Fabulous Baker Boys".
https://www.youtube.com/watch?v=58BZMukcUaA

Friday, September 13, 2019

Hustlers - Review


Hustlers

“Hustlers” starring Jennifer Lopez is a 2019 American crime drama film written and directed by Lorene Scafaria and based on New York magazine's 2015 article adaptation "The Hustlers at Scores" by Jessica Pressler. The film also stars Constance Wu, Julia Stiles, Keke Palmer, Lili Reinhart, Lizzo, and Cardi B. The plot is based on a true story account that follows a group of strippers, principally two characters “Ramona” (Lopez) and “Destiny” (Wu), and their actions and re-counting of those actions of how they together with other women began to embezzle vast sums of money from wealthy and prominent Wall Street stock traders and corporates CEOs who visit their club.

REVIEW: Running 1:47 minutes long, the first 45 minutes felt genuinely provocative, scintillating, highly sexual, suggestive and dare I say for an R rated film sizzled erotically. The early back and forth story telling through direction and dialogue of “Destiny’s” (Wu) present day flash backs of her stripper pasts and exploits in an interview with a reporter named “Elisabeth” (Nancy Stiles) was very effective. Specifically the accounts of the very first few days of “Destiny” working at an exclusive strip club in 2007, her struggles as a caretaker for an elderly and financially destitute relative and her being a struggling mom, all worked spot on for me. Her story telling was equally spot on as it smoothly segwayed into “Destiny” (Wu) random meeting and becoming enamored by the more charismatic "Ramona" (Lopez). We watch "Destiny" emotionally grow under the wise tutelage of the more seasoned experienced queen bee of strippers “Ramona” as their pairing here felt real and never felt contrived or false. This opening was some of Lopez’s best work since her 1998 film “Out of Sight” with George Clooney.

Lopez and Wu had natural chemistry together as we watch their personal and professional friendships organically grow from Wu’s “Destiny” playing the role of the student through ”Ramona’s” teaching and stewardship about all of the inside “moves“ (pardon the pun) into to how to making lots of money each night. Their relationship felt authentic, in the moment and sincere.

Also, from an overall film perspective, it was an eye-opening examination of how one might easily dismiss getting naked to make a living is not that big of a deal.  I mean how hard can it really be? Well, it's just the opposite, it’s not easy at all. Rather it is a very hard thing to do. From being physically demanding on their bodies in shoes that defy gravity it can also be equally taxing on their conscience - ethics by numbingly having the professional courage to night after night selling themselves in order to please the sexual fantasy men. Sometimes being degradingly and sarcastically rejected by myriads of strange men. Sometimes by nice and respectful generous men. And others times by out right misogynistic and neanderthal pigs of men.

To get up night after night to face the gauntlet of unpredictable human sexual behavior by leaving one’s pride, inhibitions and fears at the door takes more effort than just on the surface by appearing in a room undressed. These women are indeed professionals whether they chose to be strippers or were compelled to be for financial reasons. Either way “Hustlers” the showcased the women as being highly intelligent, determined, focused and decent women with real needs and desires. ...............But that was the first 45 minutes. The next 62 minutes was like watching someone hitting a pole…………….a strippers poll full frontal that is.

“Hustlers” promising beginning fell quickly under the weight of two major flaws. The first flaw was as when story turns in 2009 where the women are having hard times after the 2008 financial collapse. Their decision to making money by drugging their former wealthy stripper clients under the false promise of sex but instead to lure them in to stealing their pen numbers for debit and credit cards cash got boring to me and boring very fast.  Under any circumstances that kind of criminality should have been dealt with more seriousness and intrigue since earlier so much effort was made to empathetically like these women and their choices. Instead the film goes downed a one-dimensional path of making all of the men look like smiling, grunting, flesh covered giant two-legged dildos who were just way too happy and equally stupid to be taken advantage of. Men literally just lining up as nothing more than testosterone fools to be exploited at their clear idiotic financial expense. I actually began to wonder midway in the theater just how smart were these men in the first place to become millionaires on one hand and yet be such sexual 2nd grade dopes douche bags to be so easily drugged and financially ruined at personal disgrace because they were so inebriated by alcohol – drugs that apparently made them equally if not more so intoxicated by their primordially horniness like pot little belly pigs.

The second flaw was even more obvious as despite the films depiction of the mutually supportive sisterhood among these likeminded women to becoming the “hustlers now hustling the hustlers”, the story still got bogged down in needless bland and boring personal family entanglements story lines and more so no sense of legal consequences or ramifications by any of the key characters to wonder for a moment………..”What if we get caught?”.  It was just one (metaphorically speaking) night after night of being under the Christmas tree adventure of having fun, shopping and celebrations without a scintilla of concern for their criminal behavior as you watch them repeatedly …… seduce men, drug men, rob men and dispose of them out of their minds at their homes. And for nearly 40 minutes it was seduce men, drug men, rob men and dispose of them". Seduce men, drug men, rob men and dispose of them. Did I say seduce men, drug men, rob men and dispose of them? Well, OK yes, they repeatedly seduce men, drug men, rob men and dispose of them.  Whatever original genuine empathy you may have had for these women’s plight to survive stripping went out of the window pretty fast as they seem less someone to root for to prevail and more like a bunch of privileged 16 year old teenage girls who's vacationing parents are billionaires, who while away find accidentally their Platinum American Express cards and the keys to the Range Rover………………and the shopping mall and Chipotle are open all night. 

“Hustlers” missed a really great opportunity to telling a mature story about how these working class women, may I add all very beautiful women, even while committing a crime could have still been someone to cheer for. Someone to admire their desires to empower themselves to “sticking it to the man” with real  warmth and open compassion. But instead the second half of the film skims along whimsically and superficially as nothing more than a basic forgettable crime film. One in which normally they would have been charged with armed robbery, these women on the other hand could have been – technically  should have been charged with “Armed Vaginal Temptation Robbery”. I mean it makes only sense to make it sound that way with both the dumb men in the film and the women who served them clearly proved the point…………………having lots of money to spend, wanting to have a lot money to spend  and or making a lot of money to spend makes all party’s very horny.

“Hustlers” with some good acting and constructed scenes early, as well some beautifully cinematic scenes to look at, in the overall end the film misses the mark, misses the stripper pole, misses the dance floor and misses the “Hustle and Flow”.

2.50 Stars