Quentin Tarantino’s “Once Upon
a Time... in Hollywood” visits 1969 Los Angeles, where everything is changing,
as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff
Booth (Brad Pitt) make their way around an industry they hardly recognize
anymore. The ninth film from the writer-director features a large ensemble cast
and multiple storylines in a tribute to the final moments of Hollywood’s golden
age, who while are.
REVIEW: "Once
Upon A Time" threads a rather unusual story line needle through the societal and
cultural complexity of transcendence of
one generation to the next and also the weird oddities of how sometimes the
slightest decision can change historical fate.
With transcendence Tarantino
looks in the rear view mirror of America to focus his screenwriting talents on the
year 1969. He sees it as one of the most
unique moments in America culture, probably far more transcendent for us all
than we have ever imagined. And through his lens and words he looks at the year
focusing on the celebrity famous and not so famous as well as their fashion, art,
politics, power, fame, beauty, entertainment and yes, even death. He brings
this convergence of issues through that fabulous alternate universe observant conversational
mind of his by focusing the story on two fictional actors whose relationship
with one another “more than a brother and less than a wife” as two men who are
reluctant – resistant to change. And in the backdrop of these two men lives is a
cult family hanging initially very innocently in the shadows as some small
harmless counter cult just wanting to live free without rules or having responsibilities.
If the world was torn apart or started
to burn one day that would be OK with them.
Rick Dalton (DiCaprio) and
Cliff Booth are the past and they also are the alter egos of one another. One
(Rick) is the embodiment of emotional excesses………..always drinking, smoking and
worrying while the other Cliff (Pitt)
exudes charm, wit, and confidence; always cool under pressure and supremely
capable in his abilities. Together they are deliciously codependent upon one another
as a dying breed of men in Hollywood who are not just ready yet to accept the
new counterculture movement who in their minds are always hell bent to being disruptive;
not wanting to accept the norms. For these two old timers they see the “Hippie”
movement is just something that is not cool and it will never been cool and they
want nothing to ever do with it. So, Rick and Cliff are like all other generations;
at some point they think their time was the best to doing things but just like most
former generations they are always the last to see the change coming and there
is nothing they can do about it.
Beneath transcendence QT also delves into how fate can sometimes change events in the universe with just a simple
decision or conversation. To that point if you don’t know, in 1969 the real actress
Sharon Tate (played by Margot Robbie), was brutally murdered in her home on
Cielo Drive along with four of her friends. The killers (the cult mentioned
above) lived not too far away at the Spahn Ranch and occupied by disciples of a
then failed musician named Charles Manson. As a backdrop to that murder
Tarantino uses the difficulties of Rick and Cliff up and down professional lives
in an industry that seemed to be passing them by to offering up a slightly
different alternate ending to the Tate’s murder, predicated on a decision Rick
and Cliff made months before. And let me say this alternate ending to that
tragic night was shocking, very violent, very delirious, very funny and filled
with tension.
“Once Upon A Time…in Hollywood”
is hard to characterize largely because it’s just not like any of QT previous
works. This work is far more pedestrian, far more patient and far more respectful
to the people and events his tries to draw upon that were prominent in 1969.
And while I think a lot of his fans will come out wondering what they just
experienced I felt the whole 2:45 minutes running time down this fictional lane
in 1969 was very entertaining.
Through Quentin’s use of layers
upon layers acting cameos and subplots including appearances by Kurt Russell,
Michael Madsen, Bruce Dern and Zoe Bell; Al Pacino as a bottom-feeder agent,
and Lena Dunham and Dakota Fanning as two of Charles Manson’s dim witted disciples,
this film will be studied in films schools for decades as a homage to old
movies, especially westerns, counter culture change and oddities of how the
simplest of decisions can change historical fate …………….impacting an array of lives
while seemingly while they are just making
ordinary plans.
“Once Upon A Time…in Hollywood”
is a bit of an intellectual mind twist – a mind challenge, but I wager you can
never stop thinking about what you just saw.
3.50 Stars
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