Saturday, March 30, 2019

The Highwaymen - Netflix Original - Review

The Highwaymen
Netflix Original

Academy Award Winner Kevin Costner and Academy Award Nominated Woody Harrelson star in the NETFLIX Original film called ‘The Highwaymen”; a crime film directed by John Lee Hancock (The Blind Side) and written by John Fusco. The film follows Frank Hamer and Maney Gault (Kevin Costner and Woody Harrelson), two Texas Rangers who attempt to track down and apprehend notorious criminals Bonnie and Clyde in the 1930s. When the full force of the FBI and their latest forensic technology aren't enough to capture the nation's most notorious criminals, these two Rangers rely on their gut instincts and old school skills to get the job done. Kathy Bates, John Carroll Lynch, Kim Dickens, Thomas Mann and William Sadler also star.

REVIEW: If you have seen the 1967 film “Bonnie and Clyde” starring Warren Beatty and Faye Dunaway which received nine Oscar nominations including “Best Picture”, than the general story of ‘The Highwaymen” is pretty easy to follow including its eventual outcome for these two national most wanted criminals – celebrities - cult figures. The significant difference in this effort is we get to see the entire story of the Bonnie & Clyde exploits uniquely from the two Texas Rangers perspective. Singularly, you never actually see Bonnie Parker or Clyde Barrow until the very end of the 2 hour running time. Exclusively Director Hancock focuses on Rangers Frank Hamer and Maney Gault tireless and focus pursuit of the young outlaw couple.

Stylistically, this NETFLIX effort has the look and emotional feel of Tom Hanks “Road to Perdition”. Substantively it has the same chrarcter comradery of the two Rangers in “Hell or High Water” played by Jeff Bridges and Gil Birmingham. And while this story has some dialogue kinks in it and other moments of slow and seemingly needless long winded banter of this factual story, it does have some clever dabs of light humorous relief delivered mostly by Harrelson. But unmistakenly the reason to see this film is Costner and Harrelson dynamic as they re-create this story with loads of authentic in the moment seriousness that makes the entire effort a highly respectful classic tale of right verses wrong.

There is no real high octane moments as one might expect about a tale of gangsters. But I was fine with that as the opposite case held my attention quite well watching the two Rangers move meticulously in their investigation with sober focus without any use of technology all the while being candid and decent to people they interact with. At the same time they were quick to respond to having no tolerance for those who were disrespectful either.

There are three moments in the film that are memorable. One is early on when Hamer team up with Gault after years of the Texas Rangers being disbanded in front of a gun store. The second is Frank Hamer meeting with Clyde’s Barrow’s father where they have a heartfelt conversation about destiny in life. And finally the final 15 minutes as we watch the tension build as we see Hamer and Gault wait in the weeds to ambush the two gangsters loves on the side of the road.

There no mistaking this films overall strength in telling the many times uniquely told the American story book tale of how good men, with straightforward depiction, who work in law enforcement go about doing the right thing to bring criminals to justice. But it also subtly reminds us that being in a profession where taking someone’s life as a necessary component to doing that job can be for some of the most harden professionals the single hardest and devastating thing to deal with in the moment and even decades later. As was the case in the Clint Eastwood film “Unforgiven” we saw his “William Munny” say after a ferocious shootout ………….  “It's a hell of a thing, ain't it, killing' a man....you take everything' he's got... and' everything' he's ever going to have”............ Rangers Frank Hamer and Maney Gault knew that, respected that and lived with that.

“The Highwaymen”, is my kind of film. It’s a very well-acted old fashion entertaining narrative about justice.

3.25 Stars


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