Monday, January 1, 2018

Lester’s 40+ Anticipated Films For 2018

Lester’s 40+ Anticipated Films For 2018

12 Strong - Tells the story of the first Special Forces team deployed to Afghanistan after 9/11; under the leadership of a new captain, the team must work with an Afghan warlord to take down the Taliban.

A Wrinkle in Time - With so few women being handed the reins of blockbuster franchise movies, there’s reason to celebrate the faith Disney put in director Ava DuVernay (“Selma”). and screenwriter Jennifer Lee (“Frozen”) to adapt Madeline L’Engle’s visionary fantasy novel Starring none other than Oprah! While the rest of Hollywood takes baby steps, Disney is making giant strides in the right direction, having also tapped Niki Caro to helm its live-action “Mulan” remake.

Alita: Battle Angel - An action-packed story of one young woman's journey to discover the truth of who she is and her fight to change the world.

Annihilation – Director Alex Garland follows his hit debut “Ex Machina” with a brainy horror movie about an all-female team of explorers who venture into a deadly environmental disaster zone. Based on Jeff Vander Meer’s award-winning trilogy, the nature thriller stars Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson and an iridescent mist that gives the air the sinister shimmer of an oil slick.

Backseat – Director Adam McKay (The Big Short) showcases actor Christian Bale as former VP Dick Cheney.  Also, Amy Adams, Sam Rockwell and Bill Pullman.

Black Klansman – Drama – A fact-based drama with the incredible story of Ron Stallworth (played by Denzel’s son John David Washington), an African-American police detective who managed to infiltrate a Colorado Ku Klux Klan chapter even getting appointed its leader. Spike Lee is directing.

Black Panther - T'Challa, after the death of his father, the King of Wakanda, returns home to the isolated, technologically advanced African nation to succeed to the throne and take his rightful place as king.

Bohemian Rhapsody - A musical drama about Queen and the tumultuous life and reckless passion of their lead singer, Freddie Mercury. But director Bryan Singer unleashed a rash of headlines by getting fired off the project, with just over two weeks of shooting to go, and he was then accused of rape. The film’s future suddenly looks murky: Will it see the light of day? And, if so, will Singer’s name be on the project? It’s too early to tell, but the movie could still prove to be an ecstatic rock biopic. The wild card is Rami Malek as Freddy (from “Mr. Robot”).

Boy Erased - Actor Joel Edgerton directs a story on the moral issue known as “conversion therapy.” Based on Garrard Conley’s 2016 memoir, the film stars Lucas Hedges, the great young actor from “Manchester by the Sea” and “Lady Bird,” as the gay son of a Baptist pastor (Russell Crowe) in small-town Arkansas. Nicole Kidman plays his mother, and Edgerton is the conversion therapist against whom Conley gradually goes to war.

Captive State - Set in a Chicago neighborhood nearly a decade after an occupation by an extra-terrestrial force, Captive State explores the lives on both sides of the conflict - the collaborators and dissidents. Vera Farmiga, John Goodman, Madeline Brewer and Alan Ruck.
 
Cloverfield Movie - After a scientific experiment aboard the space station involving a particle accelerator has unexpected results, the astronauts find themselves isolated. Following their horrible discovery, the space station crew must fight for survival. Stars Elizabeth Debicki, Daniel Brühl and Gugu Mbatha-Raw.

Creed 2 – The Rocky Saga never dies as Creed battles the son of Ivan Drego one of Rocky’s old nemesis.

Deadpool 2 - After surviving a near fatal knee boarding accident , a disfigured guidance counselor (Wade Wilson) struggles to fulfill his dream of becoming Poughkeepsie's most celebrated French Bulldog breeder while also learning to cope with an open relationship. Searching to regain his passion for life, as well as a new stuffed unicorn, Wade must battle ninjas, tight assed metal men, and babysit a group stereotypical side characters as he journeys around the world to discover the importance of family, friendship, and creative outlets for his very open-minded sex life. He manages to find a new lust for being a do-gooder, a sparkly Hello Kitty backpack, all while earning the coveted coffee mug title of World's Best 4th Wall Breaking Superhero.

Early Man - Set at the dawn of time, when prehistoric creatures and woolly mammoths roamed the earth, Early Man tells the story of Dug, along with sidekick Hognob as they unite his tribe against a mighty enemy Lord Nooth and his Bronze Age City to save their home.

First Man - Damien Chazelle’s first feature after “La Land” is an epic docudrama, starring Ryan Gosling as Neil Armstrong that chronicles the entire history of the space race, starting in 1961 and culminating in Armstrong’s July 21, 1969, walk on the lunar surface. Timed to anticipate the 50th anniversary of that globe-altering event, the movie has the chance to be a stirring and visionary reminder of what America could once do.

Galveston - After escaping a set-up, a dying hitman returns to his hometown of Galveston where he plans his revenge. Ben Foster and Jeff Bridges.

Game Night - A comedy about a group of friends who meet regularly for game nights find themselves trying to solve a murder mystery.

Halloween – Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. Jamie Lee Curtis.

High Life - The irresistible combination of director Claire Denis and sci-fi in a story about a group of convicts on a no-return exploration into space is already exciting enough. Add an intriguing cast headed by Robert Pattinson and Juliette Binoche, plus Icelandic-Danish sculptor Olafur Eliasson’s designs for the black hole, and cinephile’s expectations for Denis’ first English-language film are literally sky-high.

Hotel Mumbai - Bringing the 2008 terrorist attacks in Mumbai to the screen would be a huge challenge for any first-time director, though Aussie Anthony Maras (recently named one of Variety’s “10 Directors to Watch”) enlisted a starry cast that includes Dev Patel, Armie Hammer and Jason Isaacs for the project.

Isle of Dogs - Following a relatively mediocre year for big-studio animation, 2018 brings cause for hope: Aardman’s “Early Man,” Pixar’s “The Incredibles 2” and China’s beyond-gorgeous “Big Fish and Begonia” (already a record-setting phenomenon back home). The most eccentric of the lot will undoubtedly be Wes Anderson’s return to the world of stop-motion (following “Fantastic Mr. Fox”), in which talking canines are banished to their own island.

Jurassic World: Fallen Kingdom - When the island's dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event.

M: I 6 - Mission Impossible – Tom Cruise (again) in unknown and secretive plot.

Mary Queen of Scots - Mary Stuart's attempt to overthrow her cousin Elizabeth I, Queen of England, finds her condemned to years of imprisonment before facing execution. Saoirse Ronan, Margot Robbie, Joe Alwyn and David Tennant

Ready Player One - Until now, “Wreck-It Ralph” is the closest Hollywood has come to making a great video game movie. When the creator of a virtual reality world called the OASIS dies, he releases a video in which he challenges all OASIS users to find his Easter egg, which will give the finder his fortune. Wade Watts finds the first clue and starts a race for the Egg – Steven Spielberg directs.

Red Sparrow - We’re entering the “try everything” phase of Jennifer Lawrence’s career, and it’s quite a ride. She’s flexing her artsy muscles with Darren Aronofsky and Luca Guadagnino, but is also expanding her multiplex range in this sleek, classily cast espionage thriller from her “Hunger Games” director (and expert hokum merchant) Francis Lawrence. Jude Law as a Russian ballerina turned undercover intelligence agent?

Roma - In his first film since “Gravity” (yes, four years ago), director Alfonso Cuarón tells the multi-stranded story of a middle-class family in Mexico City during the early 1970s. It’s the first film the director has set in his country of origin since “Y Tu Mamá También” (2001), and it promises to be a portrait at once intimate and teeming.

Scarface – Diego Luna stars in cult remake of an immigrant who rises to the top of the criminal underworld in the United States.

Shadow - Zhang Yimou’s upcoming costume epic depicts the relationship between an exiled king and his general, as they plot to take back their realm. Starring actor-director Deng Chao (“The Mermaid”), one of the most bankable actors in China, “Shadow” supposedly boasts an aesthetic inspired by Chinese ink wash painting, promising a return to more lyrical form after “The Great Wall.”

Sicario 2 – Soldado - The drug war on the US-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.

Solo: A Star Wars Story - Action, Sci-Fi - Han Solo and Chewbacca's adventures before joining the Rebellion, including their early encounters with Lando Calrissian. Director: Ron Howard - Stars: Emilia Clarke, Alden Ehrenreich, Paul Bettany, Joonas Suotamo.

Sunset - After galvanizing Cannes and going on to win the foreign language Oscar with his debut “Son Of Saul,” Hungarian director Laszló Nemes set a high bar for his second feature. Although not much is known about “Sunset,” the portents look promising. It’s another period piece, set in pre-WWI Budapest. And important “Saul” collaborators such as co-writer Clara Royer, DP Mátyás Erdély and producers Gábor Rajna and Gábor Sipos are on board.

The Black Hand - Police officer, Joe Petrosino, seeks justice against a ruthless Italian-American gang in New York. A feature adaptation of Stephan Talty's book 'The Black Hand' – Leonardo DiCaprio.

The Equalizer 2 – Denzel Washington sequel which is based on the TV series about a retired agent who's a hired gun for vengeance.

The House That Jack Built - The story follows Jack, a highly intelligent serial killer over the course of 12 years and depicts the murders that truly develop Jack as a serial killer. Starring Riley Keough, Uma Thurman, Matt Dillon and Ed Speleers.

The Irishman – Al Pacino and Robert DeNiro star in true story of a mob hitman who recalls his possible involvement with the slaying of Jimmy Hoffa.

The Man Who Killed Don Quixote - The setbacks that “Time Bandits” director Terry Gilliam has faced on this project are so epic, they spawned a feature-length documentary, “Lost in La Mancha.” Enter Amazon Studios, which saw the potential of applying cinema’s preeminent magical realist to this imaginative retelling of Cervantes’ novel. Barring any unforeseen complications, Gilliam’s fans will finally have a chance to see what promises to be the director’s magnum opus.

The Nutcracker and the Four Realms - A young girl is transported into a magical world of gingerbread soldiers and an army of mice - Keira Knightley, Morgan Freeman, Mackenzie Foy and Helen Mirren.

The Outsider - Jared Leto is an epic set in post-WWII Japan and centered on an American former G.I. who joins the yakuza.

The Predator - A re-make of the 1987 sci-fi film "Predator".

The Sisters Brothers - For his first English-language feature, French director Jacques Audiard (Oscar nominated for “A Prophet”) attempts a darkly comical take on that most American of movie genres, the Western, in his adaptation of the novel by Canadian author Patrick deWitt. Joaquin Phoenix and John C. Reilly star as gunmen ordered by their fearsome boss (Rutger Hauer) to kill a troublesome prospector (Jake Gyllenhaal) in 1850s San Francisco. Nothing goes according to plan.

Three Christs - Three Christs follows Dr. Alan Stone who is treating three paranoid schizophrenic patients at the Ypsilanti State Hospital in Michigan, each of whom believed they were Jesus Christ. What transpires is both comic and deeply moving. Richard Gere, Peter Dinklage, Walton Goggins and Bradley Whitford.

White Boy Rick – Matthew McConaughey stars in the true story of teenager Richard Wershe Jr., who became an undercover informant for the FBI during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.

Widows - Ocean’s 8 isn’t the only female-led heist movie to look forward to. Boasting an equally impressive cast — plus an Oscar-winning director in Steve McQueen (“12 Years a Slave”), who co-wrote with “Gone Girl” scribe Gillian Flynn — this update of the 1983 British TV miniseries about four women who choose to finish the heist that killed their husbands unites Viola Davis, Elizabeth Debicki, Michelle Rodriguez and Cynthia Erivo. 

Winchester - The true story of the eccentric heiress to the Winchester fire arms company who believes she is haunted by the souls of people killed by the Winchester repeating rifle. Helen Mirren stars.

Lester's Possible Oscar Nominees


Lester's Possible Oscar Nominees
January 1st, 2018
Green A Lock For Nomination 
Blue A Strong Contender For Nomination
$ Buzz Front Runners to Win
Golden Globe Awards - Sunday, January 7, 2018  
The Oscar Nominations Announcement - Tuesday, January 23, 2018
90th Academy Awards - Sunday, March 4, 2018.


POSSIBLE BEST PICTURE

Call Me by Your Name

Darkest Hour

Dunkirk  $ 

Get Out

Lady Bird  $

Molly‘s Game

Mudbound

Phantom Thread

The Big Sick

The Post

The Shape of Water

The Florida Project

Three Billboards Outside Ebbing, Missouri  $


POSSIBLE BEST ACTRESS

Saoirse Ronan, Lady Bird $ $

Judi Dench, Victoria and Abdul

Sally Hawkins, The Shape of Water or for Maude

Frances McDormand, Three Billboards Outside Ebbing, Missouri   $ $ $

Carey Mulligan, Mudbound

Meryl Streep, The Post

Margot Robbie, I, Tonya

Jessica Chastain, Molly’s Game

POSSIBLE BEST ACTOR

Gary Oldman, Darkest Hour   $ $ $ $ (Lock to win)

Timothee Chalamet, Call Me by Your Name

Jake Gyllenhaal, Stronger

Tom Hanks, The Post

James Franco, The Disaster Artist

Daniel Day Lewis, Phantom Thread

POSSIBLE BEST SUPPORTING ACTRESS

Laurie Metcalf, Lady Bird  $ $ (close)

Allison Janney, I, Tonya  $ (close)

Holly Hunter, The Big Sick

Octavia Spencer, The Shape of Water

Mary J. Blige, Mudbound

Rosamund Pike, Hostiles

Michelle Williams, The Greatest Showman or All the Money in the World

Sarah Paulson, The Post

Kirsten Scott Thomas, Darkest Hour


POSSIBLE BEST SUPPORTING ACTOR

Willem Dafoe, The Florida Project $ $ $ (Almost a lock)

Armie Hammer, Call Me by Your Name

Jason Mitchell, Mudbound

Sam Rockwell, Three Billboards Outside Ebbing, Missouri

Ben Mendelsohn, Darkest Hour

Michael Stuhlbarg, Call Me by Your Name

Michael Shannon, The Shape of Water

Richard Jenkins, The Shape of Water

Idris Elba, Molly’s Game

==============================================================================

Molly’s Game - Review

Molly’s Game

Jessica Chastain and Idris Elba along with Oscar – Emmy Winning screen writer Aaron Sorkin combined their impressive talents for the film “MOLLY'S GAME”. Based on the true story of Molly Bloom, an Olympic-class skier who ran the world's most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey (Elba), who learned that there was much more to Molly than the tabloids led us to believe.

REVIEW: “Molly’s Game” simply is one of the Best films for 2017. While narrowly focused on Jessica Chastain portrayal of Molly Bloom, the film overall is an impressive examination of a highly intelligent woman who was emotionally strong and also deeply emotionally flawed. Mostly flawed as a result of her dysfunctional relationship as a child with her obsessively demanding father Larry who was a Clinical Psychologist professor at Colorado State University played by Kevin Costner. It is this specific dynamic that serves as the subplot to the film where we see Molly’s in her youth perpetually seeking her fathers’ approval but never ever satisfying him with his seemingly torturously psychological tactics of demanding more of her in regards to her ski training. He helps shaping Molly’s into being intelligent, resourceful and resilient, but he also helps shaping Molly’s into being very resentful especially towards her father which she probably channels (subconsciously) into her choosing as a life’s profession to running the world's most exclusive high-stakes poker game in Los Angeles and New York City for nearly a decade. A profession with no shortage of wealthy, controlling and demanding men who were just vulnerable enough for her to control them and their fates.

“Molly’s Game” is exceptionally well written, but what do you expect from Aaron Sorkin who won an Oscar for his screenplay work for the Oscar winning Best Picture “Social Network”. The verbal exchanges between the cast is eloquent, precise, invigorating and mentally stimulating for its 2 hour plus running time. With an interplay of cast of characters ranging from people talking intelligently about the ends and outs of the game of poker to the interplay between criminal lawyers and FBI investigator’s battling over over a range of legal matters, Sorkin has made an Oscar worthy considering screenplay. If really you want to know what makes me like a movie a lot it is hearing someone craft conversational dialog into something that top actors execute with aplomb, crispness and style. Molly’s game is perfect in that way.

Aaron Sorkin's directorial debut “Molly’s Game” is brilliant, witty and insightful with an unmistakable cinematic intensity that few films are confident enough to try sell to the public as entertainment. But Sorkin does it exceptionally well with Actors Chastain and Elba both providing some of the best acting you will see for 2017. 

4.00 Stars

Tuesday, December 26, 2017

The Greatest Showman - Review

The Greatest Showman

Hugh Jackman uses his full array of virtuoso talents as an actor, singer and dancer in the inspired true story of legendary showman B.T. Barnum, “The Greatest Showman”. A blended film of music, dance, theater, Cirque du Soleil and melodrama revolving mostly around the story of BT Barnum, his wife and children, his collection of perceived societal misfits and his passion to being a financial success.
REVIEW: I could go into the backdrop of what inspired Barnum to his success but that would take away a significant portion of the films first 30 minutes in its 1:40 minute running time. What is worth mentioning is that while Rotten Tomato has the film at about 50% I believe it is better than that score. And while the film is not great it certainly is a dazzling piece of work with its beautiful set design and costumes and dance choreography.
But the best thing about “TGS” is the music which simply is phenomenal throughout the entire film. Inspiring and moving, the songs here are by the same people who wrote the music to 2016 Oscar Nominated Film “La La Land”, only I think their work here is far more memorable. I have little doubt that “TGS” will certainly garner an Oscar Nomination in the Musical Score category and will probably be the front runner to win as well.
“TGS” is not meant to be a serious film as it clearly glosses’ and skips over some of the more controversial aspects to Barnum’s success. Instead it tends to feel more like a cheer leading homage solely to Barnum’s benevolent qualities and nothing else. But in the overall arc of the films plot there is a strong meaningful social aspect to the films story in the way Barnum recruited his odd assortment of entertainers to be in his “circus”.
Coming in all sizes, shapes, races, looks and ethnicity, “TGS” makes a very tender point of the importance of acceptance of people. And while Barnum’s motifs may have been to make a lot of money he openly embraced to his own peril a lot of people who were shunned by society for their odd looks. His circus idea helped bring them out of the shadows and into the light of humanity. And by doing so he helped give a lot of good people the feeling of self-worth and self-respect as equals in the arena of humanity.
“TGS” is a satisfying and luminous film in a tight entertaining package.
3.25 Stars

Wednesday, December 20, 2017

Star Wars: The Last Jedi - Review

Star Wars: The Last Jedi

We pick up the never ending saga of “intergalactic good versus evil” in Episode 8, “Star Wars – The Last Jedi”, with a reprisal of one of the main characters from the original 1977 effort named Luke Skywalker (Mark Hamill).
In this 2018 installment, we find Jedi Master Luke Skywalker living on his own alone. He has intentionally retreated to a life in total exile on an obscure planet on an obscure island for the purpose of achieving (in his mind) peaceful harmony through complete solitary existence; away from the galactic mayhem from his youth. But his plans to never to return to the ways of his Jedi teachings - skills are upended when he encounters Rey (Daisy Ridley), a young woman who shows strong signs of the Force he is so familiar with. Her desire to learn the ways of the Jedi forces Luke to make a hard decision that changes their lives forever.
Meanwhile back in deep space we see the battle between the Resistance and the Evil Empire (now known as the “First Order”) continuing with Kylo Ren aka as Hans Solo and Princess Leia’s son (Adam Driver) and a dried up looking lizard with his head half caved in named General Hux combining their evil talents to lead the First Order regime in an all-out assault against (now) General Leia and her fighters for the survival and supremacy of the galaxy.
REVIEW: Hey, nothing I say here is ever going to sway anyone’s opinion about whether they will see this film or not. If you are a fan, as I am, you will be compelled to see it as much on impulse as well as a matter of it simply being a part of your youth. So to that point, with a running time of 2:30 minutes, “Star Wars – The Last Jedi” overall was pleasant, beautiful to look at and generally entertaining. It is much truer to the first 3 original installments (1977 – 1983) than the later 3 installments (1999 – 2005).  So for all of the “SW” fanatics out there who like to dress up each year at the premieres of these films as Storm Troopers or Jedi or Lord Vader none of you will be disappointed at all in “The Last Jedi”.
HOWEVER, my problem with the film, especially as an older man, is I realized now this film franchise has clearly moved towards the direction of youth and youth only, seemingly catering only to millennials per-se in the way they need instant gratification from their I-Phones every second of the day. While easy enough to follow, I still found the overall story very unimaginative as part of the continuing saga of Star Wars, with equally underwhelming subplots that seemed even more mired in murkiness. And while Director Rian Johnson did a solid job in this 8th effort, structurally speaking he seemed way too preoccupied with moving his story along with pace from scene to scene as his first priority rather than to occasionally taking his foot off the camera accelerator for some emotional balance. To his credit he valiantly tried to accomplish this in key moments where deep personal reflection and introspection were required between important principles in the film,  still what came across still felt way too rushed and falling a bit flat to hear and see..
In all fairness to Director Rian Johnson he has made a fun movie to watch. But substantively speaking it is the plot's execution that seemed to being only coherent for those devoted fans who now suffer from ADHA (attention-deficit hyperactivity disorder). Filled with repetitive dialog that never takes you anywhere new and certainly never offering anything in the way of magical or stirring crescendo moments to hold on to or to remember. Instead the film is just basic and solid with just a good enough beginning, just a good enough middle and just enough of an OK ending to connect viewers to the next installment probably 3 years from now.
“Star Wars – The Last Jedi” has all of the visual swashbuckling swagger of its predecessors just not the emotional purity.
3.00 Stars

Sunday, December 10, 2017

Darkest Hour - Review

Darkest Hour

One of my personal favorites, British Actor Gary Oldman (JFK, Bram Stoker’s Dracula, and The Professional & Batman - The Dark Knight) takes on the role of a life time as one of the world’s most iconic real life leaders in the form of his fellow countryman Prime Minister Winston Churchill in the early days of World War II with the rising Fascist German Army and Adolph Hitler.

An inspiring true story of the four weeks of May in 1940, we soon discover all of Europe is on the precipice of falling under the control and dominance of Nazi Germany with the fall of France very imminent. It is compounded by the fact that Britain faces its “darkest hour” as well with the threat of their “Island nation” being invaded from the German military juggernaut. 

As the seemingly unstoppable Nazi forces advance, the newly formed British government of Prime Minister Winston Churchill (who hardly anyone in Parliament likes) is dealing with the early crisis of 300K plus of his countryman's British army and military allies collectively trapped and cornered on the French beaches of Dunkirk. Churchill realizes the fate of not only his country but all of Western Europe hangs on the balance of his leadership. But his leadership is a daily struggle as he dominated and surrounded by men who collectively in the Parliament and cabinet find him disagreeable, petulant and ill prepared to be their leader. They relentlessly pressure him day after day to agree to a peace treaty offering from Adolph Hitler to avoid the disaster of Britain being destroyed in a war they believe they cannot win. 

But it is the singular spotlight of his sole leadership to fight at all cost against a rising evil in the world and to prevent the totally incomprehensible thought of his country ever losing their national identity as a sovereign nation “under the banner of a swastika flying over Buckingham Palace”.

Refusing to cave under to his bitter professional rivals demands of negotiating with Hitler to save the British people from a terrible cost of life, Churchill chooses instead the very long extraordinary odds of confronting Germany. First by implementing a rescue strategy called "Operation Dynamo" that virtually rescued the entire British army from the shores of Dunkirk with a civilian naval armada and then shortly there after rallying his nation in his speech before the Parliament on what his policy would be going forward........... “You all ask, what is our nation’s policy? I will say it is to wage war, by sea, land, and air, with all our might and with all the strength that God can give us; to wage war against a monstrous tyranny never surpassed in the dark, lamentable catalogue of human crime. That is our policy”.

REVIEW: Initially we see the film in the form of an intimate examination of the ordinary man named Churchill filled with a combination of his smart British wit, compassion and charm along with a unique perspective of what he was like as a dutiful husband. But soon after this framing of his personality has passed we see minute by minute both the film “Darkest Hour” and the actor Gary Oldman grow into a perfectly executed mutual crescendo as one of the best films for 2017.

Running about 2 hours, “Darkest Hour” essentially is a microscopic portrait of what leadership likes when seemingly dire events require someone, just one someone, to take the reigns of people's hearts, minds and human will to lead them. That one special someone by being their most morally courageous to lead them. And it is Oldman's performance we see these qualities in his Churchill; that special someone in both intricate and broad strokes with flawless acting from beginning to end.

While Oldman is in almost 95% of the film scenes and has about 80% of the lines utter in the film, the film still works as a very well-rounded balance story of other historical characters all the while showcasing one of the finest acting performances in the way of Oldman interpretation you will see this year or any other year. Gary Oldman is just phenomenal and keeps the whole historical story from ever collapsing under the weight of already familiar documented account of events during those perilous month of May in 1940. Even with knowing how things turned out this story and film always felt fresh, compelling. very consequential every step of the way.

Look I could say a lot more in the way of details about the film being superbly directed by Joe Wright along with a musical score that was both appropriate and timely in its underscoring of key moments in the film, but should you see it you will find all of this out for yourself.

Ultimately, Darkest Hour’ is one of the 10 best films you will see all year. If you are a history buff I highly recommend renting this years “Dunkirk” and the former Best Picture winner (one of my favorites of all time) “The Kings Speech” before or after "Darkest Hour". Both previously released films are situationally linked to the same historical time frame in UK World War 2 history, with both films working very well as companion and supportive pieces to the more intricate strategic events that occurred in “Darkest Hour”.

So, now the Academy of Arts and Science in Los Angeles will have to go through the perfunctory formality of nominating Gary Oldman in late January 2018 for Best Actor and then the additional perfunctory formality of making him travel all the way across the Atlantic all dressed up in his black tuxedo and tie just to accept his golden statue Oscar on live TV. He will then in turn take the time to thank all those who helped him in this great performance as well as those who were instrumental in his successful long career. Instead I would like to suggest the following idea to the Academy........., “Hey Academy why don't you just Federal Express Gary Oldman’s his Oscar today to some London store………….Save him the damn time and money on flying and air fare just to pick his well deserved trophy here in the states" (just kidding - he will win though  - a 100% lock).

Please take the time to see “Darkest Hour”, I highly recommend this excellent film, but more for Gary Oldman's work who is “Brando-esque” as Prime Minister Winston Churchill (my highest form of praise for a male actor’s work). And also I would like to recommend one other final suggestion to Gary Oldman as well,……….. “Hey Gary, you might want to keep that Tux pressed and handy anyway, knighthood from the Queen is on its way………..and you have to show up for that”.


4.00 Stars 

The Shape of Water - Review

The Shape of Water

From acclaimed story teller, Guillermo del Toro (Hellboy and Pan's Labyrinth), comes the love story - fantasy tale “The Shape of Water”. An other worldly story set against the backdrop of the Cold War era of America verses the USSR circa 1962.

From the top we find a hidden high-security government laboratory, filled with army security, scientist and an abundance of day laborers, one of which is a slight, submissive and quiet laborer named Elisa Esposito (Sally Hawkins). She works at the top secretive facility as a janitor (oddly enough in high heels and dress) then clocks out at the end of her day to go home alone to a small apartment. Eliza has no friends outside of her co-worker Zelda (Octavia Spencer) and her landlord Giles (Richard Jenkins) because she is a mute and societally shunned; trapped in a life of daily isolation from her disability. And while her lost voice is an inexplicable mystery from scars on her neck she still is quite capable of hearing and able to respond to others very elegantly via sign language all too conveniently interpreted by her coworker and best friend Zelda and Giles.

One day at work Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment in the form of an amphibious half human – half iguana lizard looking creature that is brought into facility from the jungles of Brazil.

Captured to be examined and researched by scientist there, the creature is shackled and chained under high security protocols in a basement laboratory with an indoor pool filled with slimy green water to accommodate the natural habitat where he was found. Elisa and Zelda are charged daily with cleaning up the laboratory from their series of test and experiments conducted on the creature, as well as from the blood from the brutal treatment inflicted by the head of security by a man named “Strickland” (Michael Shannon). He is throughout the film is sadistically frustrated by the creature’s inability to communicate in a discernable language.

Elisa witnesses the brutality by Strickland one day and immedaitely feels empathy for the creature, probably relating to his dilemma of being ostracized by not communicating. Feeling that connection to the creature and using some ingenuity on her part, she finds a way daily to sneak into the lab to visit the creature on her lunch break to share her hard boiled eggs and love of music with him. What ensues is a love story aka “beauty and the beast” through their forged deep emotional connection, not from words but rather through the silent expressions of respect, of touching and the simple act of compassion.

REVIEW: “The Shape of Water” is on everyones short list as an almost a lock to be nominated for a Best Picture nomination, with Best Actress for Sally Hawkins and other Academy Award nominations for technical considerations as well. There is just one problem, it won’t be because I had a vote. While I found it very beautiful to look at and filled with some top Hollywood talent, the overall plot was slightly above average on the interesting meter that never really connected with me as something plausible or reasonable, even in the back drop of it being a pure fantasy.

It wants to be too many things. It wants to be taken seriously as a dramatic love story with its subtle homage to Fred Astaire and Ginger Rodgers films and yet I found the relationship very one dimensional, lacking any depth as to why they were drawn to each other than Eliza having a powerful libido. I found their interplay with one another almost laughable to even contemplate. And it also wants to be some cold war era spy thriller with the full measure of a subplot of the evil empire (USSR) and espionage. In both instances theses competing plots tried to make the case of “falling in love by conquering all obstacles’ as some remarkable tale of romance. But for me it wasn’t. Rather I felt less incline to be naturally drawn to this as a genuine fantasy and more forcibly compelled to surrender to it as a tale of bestiality romance. YUCK.

While “The Shape of Water” does try earnestly to being something very lovely to contemplate with its colorful sets design, movie musical tones and overt long silent love gazes meant to suggest real romantic tension between the two principle “love lizards”.   It never generated any real dramatic tension as far as I can see. Especially with an ending which from my perspective I could see coming a mile away.

Still I give Director Del Toro credit in trying to make a prodigious piece of work with glamour and appropriate atmospherics to sell this as a “by gone era old fashion love story”. And FYI, I am always a bit of a forgiving film fan of creative people taking risk into making something completely original given Hollywood’s yearly propensity to recycle the previously recycled  year after year. So for that I applaud Del Toro efforts for having and using some imagination with the best intensions. 

But in the end, “The Shape of Water” doesn’t transcend the art of romance in any artful new way, it just demands you accept this “slimy watery love tale” without ever questioning any aspect of it which made it for me a “hard water” story to buy.

So, see it but definitely rent it on those whimsical sleepy wintery days when you want to stay in doors and nothing else worth wild is on the TV.


3.00 Stars