Sunday, June 26, 2016

The Shallows Review

The Shallows

Here’s the basic plot Summary to “The Shallows”. A very attractive beautiful blonde from Texas named Nancy (Blake Lively) has trek off to a tropical destination somewhere near Tijuana Mexico for some “R & R”; recreation and relaxation (actually shot off of Wales, Australia). Why? She needs a break from things as she has had a very life altering experience and needs some “me time” to escape. So she decides no less to go SURFINGALONE on a SECLUDED BEACH THAT NO ONE WILL TELL HER THE NAME OF and THAT SHE HAS NEVER BEEN TO BEFORE. Oh, and she goes surfing alone almost WHEN IT’S FREAKING SUNSET. So you mix in some American arrogance and naivety, you simply have to ask yourself the question, WHAT CAN GO WRONG?

Well unless you somehow never saw one single promo for this film it is quite apparent she is going to be attacked by a shark. And not just any old shark per se, but the Sadam Hussein Lord Vader of the ocean in the form of a Great White Shark no less, obviously to make things ultimately dramatic.

Blake Lively is very attractive; no one has ever looked better attacked by a shark laying on a secluded rock 200 feet from a tropical shore before. But if you took all of the slow motion scenery out of this movie’s first 23 minutes it would be hard pressed in real time to be more than 1 hour long verses it’s actual 1:27 running time.

So we are then forced to watch “Nancy” try to outsmart a shark who acts less a natural predator like in “Jaws” and more like a singularly focused serial homicidal killer in the hybrid form of a fish slash Jeffery Dahmer slash Ted Bundy.  I am no Marine Biologist, but sharks should only kill for food. My dorsal gray fin monster friend here seems to kill people because he really, really likes it. I mean he really likes it.

The first 25 minutes of this film is exquisite to look at. You see an exquisite looking and tanned Blake Lively (who sounds more Southern Californian than Texan) strolling about on a tropical white beach, swimming slow motion under crystal clear blue waters and a backdrop of pristine blue skies. Oh, did I mention Lively is in a bikini the whole time. I mean why wouldn’t you want to see that. Hell I thought Blake was hot as hell in the crime thriller “The Town” and she was a blue jean wearing runny nose crack head in that role.  Men (me) are so easy.

The problem I had with “The Shallows” is it appropriately named, shallow. The shark didn’t feel genuine, the idea of swimming or surfing in waters alone seemed beyond silly and stupid and the few supporting characters in the film are set up glaringly thin as the appetizers for things yet to come, literally and figuratively.

Still, you can watch “The Shallows” pretty easily mostly because everything about it is so very easy on the eyes, so for that measure alone it works well as a decent entertaining trip to the cinema. But overall the legacy of the more iconic film “Jaws” is very much safe as the superior effort. Why? Mostly because while “The Shallows” has some decent moments of tension it is ultimately very short on the more needed smart, sophisticated, complex and penetrating tension that should have kept you seriously asking yourself – wondering if you will; WILL SHE MAKE IT?   

2 – 1/2 Stars

Saturday, June 25, 2016

Independence Day: Resurgence & Free State of Jones

Independence Day: Resurgence

It’s the sequel to the 1996 blockbuster “Independence Day” (minus Will Smith) this time out starring Liam Hemsworth as WS’s character persona replacement, along with some of the original cast members including Jeff Goldblum, Bill Pullman, Judd Hirsch, Vivica A. Fox, Brent Spiner, Charlotte Gainsbourg, Jessie Usher, Maika Monroe, Angelababy (yes that is her name), William Fichtner and Sela Ward.

So with that you already know that the octopus looking aliens are coming back, as if the first ass kicking we gave them wasn’t enough they again travel a couple trillion light years miles back to little old earth for some plain old global human ingenuity to put them back in their place.

Here’s my question, why? If you are going to take 20 years to do a sequel and hire 5 writers to make this screenplay, then why make it sound like it was written by an 18 month old baby playing with an I-Pad. I mean it’s not the that you can’t find something enjoyable about film, but it is so lathered up with repetitious cliché lines and scenes essentially a carbon copy of the original my question is WHY? Why did it to take 20 years to write this cheesy dialogue.

Visuals of the film were impressive with some entertaining aerial swift action, so it’s not a complete snoozer. But overall it’s just inept and lacking any real life or death consequence to the Cirque du Soleil high wire array of action on display. You take Jeff Goldblum out this film and it crashes and burns on arrival.

And finally another why. Why was actor Judd Hirsh (the elderly father to Goldblum’s character) even cast in this movie? I mean all he did was stir a boat on the water and drive a yellow school bus in the desert for the 2:10 minutes running time.

The movie is mostly forgettable after you leave the theater. But if you should go, I insist for your benefit that 20th Century Fox Films change the title to this effort to “Independence Day: Regurgitated”. Somewhere WS is smiling that he took a pass on this one.

2 - Stars  

Free State of Jones

Starring Oscar winner Matthew McConaughey, Free State of Jones is a true action-drama set during the Civil War, and tells the story of defiant Southern farmer, Newt Knight, and his extraordinary armed rebellion against the Confederacy. Banding together with other small farmers and local slaves, Knight launched an uprising that led Jones County, Mississippi to secede from the Confederacy, creating a Free State of Jones. Knight continued his struggle into Reconstruction, distinguishing him as a compelling, if controversial, figure of defiance long beyond the War.

McConaughey does a good job in elevating this material to both convey some real powerful moments and earnestness to the films core historical themes portraying human injustice verses the need to doing what is right. But in the end FSOJ is only about McConaughey’s character Knight and nothing more. The supporting characters almost seem to vanish from the screen in terms of their relevance just as soon as they stop speaking. You would be hard pressed to remember what they said just seconds after their scene was over.

There are a couple of amazing dramatic moments in the film, but not enough of them to say hey after 2:30 minute running time……………. “Hey, you got to go see this in the theater”.

Still should you go see this it is watchable, but I do recommend you focus on the historical significance of the film's subject in how back in the 1860's and today the same social and political issues are very much relevant today.  


2 – 3/4 Stars

Friday, May 20, 2016

The Nice Guys - Review


The Nice Guys
I have always loved buddy movies. I love them especially when the “buddies” in the buddy movie exhibited an immediate (not contrived) natural on screen chemistry connection with one another………a “reportiere” if you will. And whether the two principle lead characters have a mutual agenda or not, are in conflict one another, have similar personalities or not, or are written in either the comedic or dramatic formats or a bit of both, I love the infusion of two seemingly unlikely pairing of actors who not only work well with each other, they do so fabulously well.

The list?  Well, Miami Vice, 48 Hours, Lethal Weapon, Thelma and Louise, Rush Hour (the first one only), Butch Cassidy and The Sundance Kid, Bad Boys, Men in Black, Die Hard With A Vengeance and Training Day are just to name a few of legendary buddy films – TV shows that have achieved notoriety, success and lasting fame cutting across the full spectrums of entertainment. So now we see its actors Russell Crowe and Ryan Gosling turn at the buddy pairing wheel in their latest effort called “The Nice Guys”.
PLOT: Directed by Shane Black. WHO? Oh you remember him from Arnold   Schwarzenegger’s iconic science fiction film “Predator”. The then actor Shane Black played “Rick” the U.S. Army Special Forces  team member who caught the swinging log to his chest and ribs saying………..”I can make it”. Yeah that Shane who as Director now tells his “Nice Guys” story of two slightly down on their luck guys working at opposite  ends of the private investigation spectrum.

Specifically, we find our first “Nice Guy” named Holland March (Ryan Gosling) who is a down-on-his-luck private eye in 1977 Los Angeles. He is a smart, charming and a loving father who is also somewhat dysfunctional and seemingly always in an alcoholic boozed up state who will circumvent his morals for making a buck. The second “Nice Guy” is named Jackson Healy (Russell Crowe) who is simply a hired goon enforcer who hurts people for a living using brass-knuckle punches to scare off predators and intimidate his targets. Fate of course initially turns for them to meet (not ideally of course) in an unlikely partnering effort to find a young woman named Amelia (Margaret Qualley) who mysteriously disappears. Healy and March soon learn in excruciating ways that other dangerous people are also looking for Amelia. Their investigation leads to some dark places as anyone else who gets involved in the case seems to wind up dead.
MY REVIEW:  “The Nice Guys” is at times smart, slick, sexy and funny. There are also other times it’s just ……………. “Eh”. Meaning? Well, for a movie about the late ’70s that capture exceptionally well all of the atmospherics of  the music, psychedelic clothes, drugs usage, culture and of course debauchery sex along with a cinematography that illuminates L.A. with that nostalgic fluorescent brilliant laid back glow, “The Nice Guys” still was at times a bit dull…………..here and there.
Looking back I think it just comes down to the basic plot question; is this enough of a reason for these two guys to be together fighting their way through all of this perpetual aggression both at times at each other and at times at them? My answer, didn’t always seem like it - didn’t always feel like it.
“The Nice Guys” is never short of endless energy, male macho bravado or sexual magnetism. This film has an R&B group “Commodores “Brick House” truck load of it for its 1:58 minutes running time. It also has some moments that were just out right un-expectantly hilarious. There were also times it wasn’t funny even when I was subliminally being told……………”Hey Lester, yeah you with the black sweats on and the soda you snuck into the theater from home, you suppose to laugh now dude, I wrote that especially for you to be funny and make you laugh”…………….Occasionally and pointlessly that and other scenes weren’t funny – I just smiled instead.  
“The Nice Guys” is a bit messy and convolutedly at times, but only here and there. A bit dumb and stupid, but only here and there. And at times clever and sexy, but again only here and there.
There’s an old adage that states ‘”nice guys always finish last”. Well Gosling and Crowe prove that is not true, they do have an on screen appeal that is glaringly obvious, so with that I am glad I watched them in “The Nice Guys”. But should you choose to see it as well, just know before going into the theater the plot and the execution of that plot will not be requiring you to use any of your brain synapsis at any point along the way to get to the film’s finish line.
3 Stars

Saturday, May 14, 2016

Money Monster - Review

Money Monster

“Money Monster”, in what has to be the oddest title for a film in recent memory, we get mega stars George Clooney and Julia Roberts reunited for the first time since their 2001 stylishly slick “Ocean Eleven” collaboration, along with Jack O'Connell (Unbroken), Dominic West, Giancarlo Esposito and Caitriona Balfe  under the directorial guidance of 2 time Academy Award Winner Jodie Foster in a news worthy, modern and high stakes story of a common working man going after a corporate Wall Street big shot.

Told in a 24 hour real time frame work, we find from the onset George Clooney in the role of a popular cable TV star named ‘Lee Gates” who is the host of a daily popular financial cable show. His personality is a personality mix of the hyper enthusiastic all things are rosy CNBC’s Jim Cramer and a soap opera-rish brash, bombastic and smug persona similar to WWE promotor - owner Vince McMahon. He’s a Barnum - Bailey TV salesman for the modern working man investor.

One morning while going through the paces of selling his daily stock recommendations under the control of his trusted and long time studio producer “Patty Fenn” played by Julia Roberts, a mysterious irate investor named “Kyle” (O’Connell”) sneaks into the studio with a gun and explosives to take Gates, his crew, and his ace producer Fenn all hostage on live TV. What happens next is the unfolding of a story of Kyle wanting an explanation of how he lost his $60,000 savings on what Lee had previously guaranteed was a stock tip that was better than “any savings account”. But it wasn’t safe and Kyle wants all those involved with both the financial show and the company he invested in named “IBIS” to tell him the truth of what appears to be tangle web of big money lies.

MY REVIEW: “Money Monster” has a lot of quick and witty banter as we are invited to go down a well-intended path of something meaningful. The only real question is do we enjoy – do we learn from the journey with its equal execution mix of drama and humor to a basic truth we already know. And if the plot premise wasn’t enough of a clue to what we will discover, we can also tell from just looking at the obviously deliberate casting of a smarmy and less than handsome IBIS CEO “Walt Camby”. We know he has done something crooked to rig and steal the millions of his investor’s money, the only real question is what? Thus the viewer is left with how much melodramatic jousting, banter, emotional seesawing, contentious wordplay, bickering and guns pointing do we you have to listen to get to a hopefully substantive climatic dramatic conclusion during the films 1:38 minutes running time.

“Money Monster” does have some admirable moments, mostly when it focuses on Kyle’s moral and emotional pleas of being understood about his desperation to finding the truth of how he lost his money. Essentially he is the macro embodiment of real life people like you and me who believe wealthy people always seem to get all the breaks in life while real working people seemingly just always get broken in two. But the problem I had with “Money Monster” is it’s narrative as Director Foster treats the subject matter of corporate greed purely as something for us to be comfortably entertained by rather than to be dealt with in a strong probative analysis of how white collar crimes are real and very destructive to decent people. We get scenes that try make us feel something raw and unnerving that ultimately only pander by the use of procedurally smart cliché speeches that reveal nothing that we don’t already know or feel. “Money Monster” offers no extraordinary reflective crescendo on a modern society, financial markets or Wall Street. Instead we just get a by the book conclusion to a movie about Wall Street money and Wall Street lies.

While MM is a very streamline commercial movie in its storytelling, it is crisp in its pacing, never boring and is worth seeing. And while you will not have any lasting memorable moments from the film, you will be entertained.

As performances goes, Julia Roberts shines as “Patty Fenn”. She is really engaging and dynamic in her role as the inside the ring referee aka “Producer” to the on air hostage situation delivering solid work from beginning to the very end. Also Clooney gets the most out of his character though his evolution from on air slim ball, to victim, to eventually the honest conciliator - arbitrator for a greater good.

“Money Monster” breaks no new ground, but it is a solid reminder of how some people have lost faith, lost trust and lost confidence in institutions and society as a whole, where one had only to be a person who is decent, honest and hard working to be assured a virtuous path to achieving the American Dream. Now the narrative suggests that the more profitable virtue to embody for personal prosperity and a better life is the currency of telling the better lie while using someone else’s money.

3 -1/4 Stars



Sunday, May 8, 2016

Captain America: Civil War

Captain America: Civil War

Starring Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Emily VanCamp, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Frank Grillo, William Hurt, Daniel Brühl and Tom Holland we venture again to theaters to see the third installment of the Marvel Comic book franchise titled “Captain America: Civil War”

PLOT: We find the principle hero “Captain America” aka Steve Rogers leading a newly formed team of Avengers in their pursuit to safeguard all of humanity. But after an international incident involving the Avengers that resulted in large human collateral damage, world political pressure mounts to install a system of accountability, headed by an international governing body to oversee and direct the Avengers team. The restrictions fractures the Avengers into different camps with one led by Steve Rogers who desires his Avengers team to remain free to defend humanity without government interference and the other group who are following Tony Stark’s aka “Iron Man” decision to support government oversight and accountability.

MY REVIEW: Directed by brothers Anthony and Joe Russo “CA: CW” delivers very, very satisfying entertainment as we watch our Marvel heroes battle both villains and their personal mistrust with each other. But more importantly, its rare when you see an action comic film where the Director(s) takes the time to exhibit real emotional DNA inside their characters comparably to their particularity super strengths. In this "CA:CW", all of the Avengers seem more like real life human beings than just plain comic book heroes.  We get to see their emotional landscapes as they reflect on inner personal thoughts, motivations, fears, and friendships with genuine well written intelligent conversations.

Its other strength is more visual and is rooted in the well-orchestrated action scenes. Clearly influenced by previous recent films you will see the Russo brothers shoot all of their close quarters action fight sequences very similar to the look that is indicative of the Matt Damon Jason Bourne films with its close camera range hand to hand combat and frequent editing style,  while the multiple chase scenes are eerily similar to last year’s “Mad Max; Fury Road” with its very stylized breakneck speed on wheels.

There is nothing super memorable in this movie nor does it offer up any real surprises per se, but this version of Captain America still works exceptionally well because the casting of this large ensemble of fine actors work so well together. You mix in a solid plot and subplots along with the right amount of well-timed humor and witty banter (there is a short but funny scene involving a VW Beetle) “CA: CW” never falters once during its 2:30 minutes running time.

So, I say T-minus ten, nine, eight, seven, six, five (main engines start), four, three, two, one and you will have lift off to the opening summer movie season with high energy, smart and thrilling execution in the heartfelt “Captain America’s Civil War on the Bourne Supremacy Fury Road”.

3 - 3/4 Stars 

Friday, April 15, 2016

Barbershop: The Next Cut

Barbershop: The Next Cut

Actor, Director, Producer and Rapper Ice Cube brings back to the big screen his eclectic array of hair cutting colleagues with all of their distinct biting humorous personalities in tow with the latest Barbershop sequel in the new titled effort called “Barbershop: The Next Cut”.

It’s been more than 10 years since we last sat in the chair of the South Side Chicago’s barbershop establishment named Calvin Barbershop. Calvin (Cube) and his raucous barber crew, including lifelong close friend, self-appointed African American historian, elder statesman and the primary source of comic relief Eddie (Cedric the Entertainer) are all collectively working endlessly again with their targeted humor at each other with authentic camaraderie, love and respect. And with the addition of the perpetual kinetic energy that is typical of African American barbershops with endless rapid fire discussions on politics, relationships, food, sports and cultural matters the viewing audience eases back into the film’s story barber chair with relative ease.  

With the exception of women now sharing equal space for females customers, very little has changed inside the walls of Calvin business. The same however does not apply outside the shop within the streets of the community and the surrounding neighborhoods itself as Calvin’s Barbershop is now ground zero of nonstop gang violence; be wreath in violence actually that effects each of the employees of Calvin’s both equally and differently.

Feeling trapped, Calvin is frustrated more than any point in his life by the senseless killings. So he decides to take matters into his own hands that could ever change the close bonds between him and his employees, his wife, his son and his community forever.  

MY REVIEW: In the first 15 minutes the film started out with it’s predictably anticipated sharp witted humor and constant teasing among the core characters and patrons that at times was both extremely funny and at other times a bit clunky missing its mark. But what eventually takes hold to emerge very effectively during the 1:52 overall running time is a very mature, solid, and socio-politically savvy commentary on the violence that causes so much devastation within the African American communities across the country. But the ultimate strength of this screenplay is its heartfelt honesty to take this problem head on in such an ownership way of trying to find those solutions without taking predictable cheap shots towards blaming Whites, racist local police officers, the proliferation of guns or the ineffective leadership of government and local officials for solutions. No, Ice Cubes Calvin sets the moral tone of the film rather forcefully from the very beginning with a strong statement that this problem of murders starts with the family and the good people – the adults taking charge of matters first using positivity and encouragement to help teenagers solving their problems without pointing a gun in someone’s face and pulling the trigger.

“Barbershop: The Next Cut” is surprisingly less a comedy and more of a dramatic  purposeful straightforward questions and answers session of a film on what can be done to solve this nationwide big city problem. It executes this central plot point with both the right strong tone and the unbridled truth.

And while this film still has the same stylishness as the past films had, this effort is buoyed beyond cliché nonstop humor with a very strong array of performances across the board from this unusually large ensemble cast. Each actor has their moment to shine and make their own case that their voice and personal stories matter. But more importantly what the film does is bring a high degree of nobility to a problem with grace and heart felt honesty to its very end.

While there are some touching moments, one involving a Luther Vandross song and another involving someone famous, Barbershop Cut goes to great lengths not to use profanity, engage in debauchery laden jokes or use inflammatory rhetoric to blame others.  No this Barbershop offers only a positive strong message that we all should be the force for change by starting the work in our homes.  


3 – 1/2 Stars

Tuesday, April 12, 2016

Lester's April 2016 / Movie - TV News


Lester's April 2016 /  Movie - TV News

MOVIE:

·       A trailer was shown for Director Robert Zemeckis’ (Castaway and Forrest Gump) latest, now officially titled “Allied”. The World War II thriller is set for a November 23 release and stars Brad Pitt opposite Marion Cotillard. Although an official synopsis has not been fully released, the plot appears to follow Pitt an American as an Intelligence Officer and Cotillard as a French Resistance Fighter who become lovers against the backdrop of German occupied France during the height of the war. 

·      Director Spielberg and Recent Academy Award Winner Mark Rylance (Bridge of Spies) will work together again in the film titled “The Kidnapping of Edgardo Mortara”. Rylance will play Pope Pius IX in the adaptation of the David Kertzer novel that tells the story in, June 1858 a Jewish merchant Momolo Mortara who had two officers of the Catholic Inquisition bust inside and seize Mortara's six-year-old son, Edgardo. As the boy is wrenched from his father's arms, his mother collapses.  The reason for his abduction: the boy had been secretly "baptized" by a family servant.  According to papal law, the child is therefore a Catholic who can be taken from his family and delivered to a special monastery where his conversion will be completed. With this begins the true story of how one boy's kidnapping became a pivotal event in the collapse of the Vatican as a secular power.   

·       Some early Oscar acting buzz for 90 year old comic legend and humanitarian Jerry Lewis who apparently wowed a movie premiere audience receiving two standing ovations in the 2013 delayed release of the low budget film called 'Max Rose'. Lewis plays a retired jazz pianist who makes a discovery days before the death of his wife of 65 years Eva (Claire Bloom) that causes him to believe his marriage was a total lie. Rose begins to question the strength of his marriage and starts looking for clues to identify Eva’s past as he embarks on an exploration of her past as well as his own past that brings him face to face with a menagerie of characters from a bygone era.  

·       The independent foreign language effort called 'A Monster With A Thousand Heads' which had very successful performance reviews at several key festivals including Venice, AFI, and BFI London, this Mexican indie film was recently picked up by the production company Music Box Films for a 2016 release nationwide. The film is directed by Mexico-based Uruguayan Rodrigo Plá ("La Zana," "Desierto Adentro," "The Delay"), and stars stage actress Jana Raluy in her screen debut. It's written by Laura Santullo who adapted it from her own novel. The official synopsis of the film “Monster” takes place in Mexico involving the medical insurance industry. Sonia (Jana Raluy)’s critically ill husband requires an expensive medication their insurance company refuses to approve. What begins as a frustrating call to a bureaucratic phone tree, escalates into a confrontation with her husband’s doctor as he luxuriates in a steam bath, and finally a violent hostage-taking standoff. Sonia does battle with the insurance industry; its obfuscation and pettiness, its callous disregard for suffering and ultimately corruption."  The trailer is currently available on Youtube. 

TV:  

·       Suddenly Atlanta is now 2 HOT – HOT: Two of the biggest cable networks are each premiering comedy shows set in the music world in Atlanta. First HBO’s effort is called “Brothers in Atlanta”. The HBO effort is about struggling entertainers and best friends Langston (Riddle) and Moose (Salahuddin) trying to navigate relationships and life in the black Mecca of Atlanta. An Atlanta native, Langston is an aspiring DJ whose career has stalled due to his lack of focus and his get-rich schemes. New to Atlanta, Moose is a perennial backup singer with dreams of the spotlight, who keep his foot in his mouth. The pilot also features Maya Rudolph as Moose’s demanding boss, Shirley, an R&B diva whose heyday was in the 90s; and Jaden Smith as Curtis, a “New Atlanta” teenager and Langston’s rowdy neighbor with unpredictable interests and suspicious income.   

·       The FX network effort will embark on the release of a weekly 30 minute show called “Atlanta” sometime in the summer of 2016. “Atlanta” synopsis involves two cousins who are making their way up through the Atlanta’s rap scene. Created and stars Donald Glover, who will play a character named Earnest "Earn" Marks, a loner who left Atlanta only to return; now working an unglamorous job and barely getting by when his cousin Alfred becomes Atlanta’s hot rapper, Earn sees an opportunity to manage Alfred’s career. Actor Brian Tyree Henry who will play the cousin Alfred Miles, wants to capitalize on his sudden fame as quickly as possible. 

·       AMC offers up a new drama called “Preacher”. Based on a comic book, the synopsis entails with a story of a conflicted preacher living in a Texas town that is possessed by a powerful supernatural force, and sets out on a trip with his “hit-woman” ex-girlfriend and an Irish vampire, to find God who has gone missing.  

·       HBO is still working on the modern adaptation of the 1970’s Yul Brenner movie called “Westworld”. The synopsis is the story of a wild western theme park using state of the art robot technology to give its clients everything they ever dreamt of. The cast is spectacular Anthony Hopkins, Evan Rachel Wood, James Marsden, Thandie Newton, Jeffrey Wright, Rodrigo Santoro, Ben Barnes, Jimmi Simpson, “Creed” star Tessa Thompson, “The Duke Of Burgundy”, Sidse Babett Knudsen, Clifton Collins Jr and, stepping into Yul Brynner’s shoes, Ed Harris.  

·       FX brings acclaimed British Actor Tom Hardy to the TV screen in a miniseries he wrote and acts in called “Taboo”. The synopsis is in 1813, where roguish adventurer James Delaney (Hardy) returns to Britain from America with 14 stolen diamonds in tow, determined to avenge the death of his father. An 8 episode miniseries is penned by both Hardy and his "Locke" writer/director Steven Knight. 

·       HBO offers up “Codes of Conduct” with a synopsis of a man named Beverly Snow, a talented, self-confident young African-American man works his way into the upper echelons of New York society, despite his ambiguous background, testing the limits of access and social mobility. This series won't arrive till 2017; a  deeply intriguing six-part miniseries produced by Russell Simmons for HBO and co-written by Steve McQueen (Director of “12 Years A Slave”) and "World War Z" writer Matthew Michael Carnahan. Actor Paul Dano last seen brilliantly performing as Beach Boy Brian Wilson in “Love and Mercy” ‘will play a young entrepreneur who takes Snow under his wing and grants him access to the social elite. Helena Bonham Carter appears as a wealthy socialite and Rebecca Hall will play the privileged eldest child of a New York billionaire and Snow's possible nemesis.